Fascination of Decay
Curated by Kate Roberts
Friday, Nov. 9 - Wednesday, Dec. 12, 2012
The Cohen Gallery
55 N. Main St., Alfred.
Opening Reception:
Nov. 9 from 6-8 p.m.
gallery talk at 7 p.m.
Featuring work by ceramicists Walter McConnell, Kate Roberts, and Lee Somers, and painter Alexis Grabowski. All of the artists are Alfred University alumni.
Based on a book of the same title depicting how artists throughout history have found inspiration in ancient ruins, the gallery show will focus on how contemporary artists are fascinated with today’s ruins.
Press ReleaseFor the curator's statement and more images, read more....
Fascination of Decay explores the question “What are the contemporary ruins of today?” The show is based on the 1968 book of the same title describing how artists have found inspiration in decay for centuries. Author Paul Zucker begins by explaining a ruin:
A ruin exists in a state of continual transition caused by natural deterioration, specific catastrophes, or other circumstances. But the changing concept of the ruin is based not only on its objective appearance, but is equally dependent on the individuality of the beholder. His reaction will reflect his emotional attitudes, his cultural and intellectual level; but, even more, the prevalent concepts of his time: the “ Zeitgeist.”
Contemporary artists Alexis Grabowski, Walter McConnell, Kate Roberts, and Lee Somers construct explorations into the acceptance of 21stcentury decay.
The work presented in the show gives a complete definition of decay and the ruin. Each piece adds to the continuous story that Zucker is inferring when he states that ruin is something that is constantly changing and in turn allows the artist to arrive at a personal connection. McConnell begins the story in his piece Untitled. The work is in a state of slow erosion as air slowly comes into contact with the piece. Grabowski overexposes the viewer to the abundance of decay in urban and rural areas in which she once and currently resides. Roberts touches on the fragile nature of decay and our eventual need to accept it. Lastly, by repurposing wood from old pianos, Somers references a form of erosion in his piece Soundscape. In showcasing different veins of decay, “Fascination of Decay” becomes the modern addendum to Zucker’s book and the “Zeitgeist” of the 21st century.
Curator
Zucker, Paul. Fascination of Decay. Ridgewood, New Jersey: The Gregg Press. 1968. Print.